Check out Mark Riddington’s exhibition at 18 East Parade. ‘A Ghost of a
Faded Engraving’
Mark Riddington’s work references astronomy, prehistory, and the occult.
He works in dyed plaster, concrete and clay, often referencing astronomical
phenomena, and celestial bodies, all of which are key issues when thinking about
the history of drawing.
Stars are points in space and when we look at them we see patterns. If
we could stare at the stars all night we would see that they trace linear paths
across the sky. Riddington dyes plaster to create blocks of blackness, these
are cut through with lines infilled in white.
Stars and their movements were vital to the positioning of temples, this image below is of a stone inserted into the doorway of a temple dedicated to the God Ninlil, and is thousands of years old. The technique used is white inlay, in black stone.
Riddington's work allows us to think about some of the central issues of Modernism, (abstraction, painting as object, use of materials) and yet link these to age old concerns, (the sky as a realm of the gods, the occult, astrology etc).
This post is also a reminder that it is also important to keep an eye of what is happening in the smaller art spaces in Leeds. This exhibition is promoted by 'Set the Controls for the Heart of the Sun', an organisation as art students you should be aware of because they also have studio spaces as well as operating a curatorial umbrella.
till
18 East Parade: LS1 2BH
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