Monday 19 September 2022

Index

This index is an attempt to make sense of weekly blog posts that have no logical order and so hopefully it may help find a way through to things you are interested in. But as an index it is as idiosyncratic as the rest of the blog, so don't expect to find things in a logical order, they are instead grouped together in ways that seemed interesting at the time. Perhaps think of it as an aid to surfing or an an index finger, something to help point with. 

The index finger is named that because of the finger’s use in pointing: the English word index being rooted in an earlier word meaning “to show.” Names that associate this finger with pointing can be found around the globe, but others come into play as well. English speakers also call it the forefinger because of its position as the first of the fingers proper, excluding the thumb. Medieval texts refer to it as the “greeter” and “teacher.” In Anglo-Saxon times, it was known as the “scythe finger,” for reasons that are murky, and as the “shooting finger,” because it was used to draw back a bowstring.

Around the world, the index finger is associated with other functions. In Iranian languages, it is considered the finger of beckoning, cursing, and protecting. It is also known as the “prayer finger” or “testimony finger”—the label in modern Turkish—because of its use in the Muslim practice of shahada, or profession of faith. One of its most colourful nicknames was based on its penchant for swiping up sauces: the “pot licker.” So as you go through this index, perhaps think of it as a big pot, and that you are dipping your finger in it in order to taste what things might be like.

Architecture and the built environment

Architectural perspective

Daniel Libeskind Architectural drawings as an art form

Monumental structures

Lines in the road

Euler spirals and road design






Artists

Marina Abramovic

Roger Ackling

Anila Quayyum Agha Drawing with shadows

Inaki Aires Tattoo art

Memo Akten

Ivan Albright Self portrait Ivan Albright Portrait of Dorian Grey

Edward Allington Leeds City Art Gallery

Edward Allington Making drawings on old ledgers

Tariq Alvi Collage

Francis Alys 

Francis Alys Images of the city

Francis Alys Why draw?

Francis Alys Walking

Minjeong An Diagrams

Minjeong An On seeing a plant in a garden

Minjeong An Drawing with a computer

William Anastasi  Conceptual drawing

El Anatsui  Large scale images made from small bottle tops

Đorđe Andrejević-Kun Expressionist print

Eleanor Antin

Maurizio Anzeri 

Nobutaka Aozaki

Ida Applebroog

Aragón

Shusaku Arakawa: Architectural diagrams and body relationships 

Rafael Araujo: perspective drawing

Cory Arcangel: Super Mario Clouds

Burak Arikan

Avigdor Arikha

Josh Armitage 

Kenneth Armitage

Keith Arnatt

Keith Arnatt: Art and philosophy 

Lauryn Arnott

Oscar Arredondo Portrait as stereotype 

Yuksel Arslan

Art and Language

Yusuke Asai Drawing with clay and earth

Maryam Ashkanian

Craig Atkinson Collage

Frank Auerbach

Frank Auerbach Drawing from old masters

Frank Auerbach: The hard won image

Frank Auerbach Drawing and time

Tauba Auerbach Craft and drawing


Robert Austin Drawing of the queen on banknotes

Charles Avery 

Francis Bacon

Francis Bacon: The grid as a cage or trap

David Bade Curaçao artist

Samira Badran 

John Baeder Photorealist drawing

Richard Baker

Vanessa Baird

Maja Bajevic Visualising data with textile crafts

John Baldessari Drawing with words

Balla

Fay Ballard Drawing photographic memories

Fiona Banner Wall texts

Hippolyte Baraduc

Garry Barker The languages of drawing

Garry Barker Why I draw Garry Barker Why do I draw?

Garry Barker Drawing the surrounding environment

Garry Barker New territories of the filth dimension 

Garry Barker  Textile focused exhibition

Garry Barker Writing about drawing

Garry Barker When the past overhauls the present, you will forget that you can't remember

Garry Barker Drawing water More drawing about water Includes animation 'Boat at sea' 

Garry Barker Charcoal drawings

Garry Barker SKETCH2017 submission

Garry Barker SKETCH2017 reflection

Garry Barker Piscean Promises

Garry Barker Collective and collaborative drawing in contemporary practice

Garry Barker Drawing as a model for life experience

Garry Barker What use is art?

Garry Barker 3D Printing: Solidified drawings

Garry Barker Animation

Garry Barker 'False Starts' Exhibition


Garry Barker (im)Material Disarray Exhibition. Together with other ramblings

Garry Barker (im)Material Disarray Exhibition

Garry Barker The evolution of an idea

Garry Barker Drawings for tattoos

Garry Barker Library Interventions: Quantum entanglement

Garry Barker Why it matters

Garry Barker Signs of signs

Garry Barker Drawings for a site specific proposal

Garry Barker Votives

Garry Barker Paul Klee and Markov blankets

Garry Barker Drawing in pen and ink

Garry Barker Drawing and healing

Garry Barker Visualising energy flow

Garry Barker Visualising energy flow part 2

Garry Barker Why interoception?

Garry Barker Analogue and digital processes

Sara Barker Glasgow exhibition

Phyllida Barlow Drawings in Leeds City Art Gallery

Jeanette Barnes  Drawing the city

Jeanette Barnes Exhibition in Halifax

Matthew Barney Climbing as drawing

Matthew Barney Drawings

Anna Barriball 

Anna Barriball Drawing and philosophy

Anna Barriball Rubbings

Andrew Barrowman Tree study

Yael Bartana

Yael Bartana Animated collage


Jean-Michel Basquiat

Leo Baxendale

Glen Baxter 

Bernd & Hilla Becher

Simon Beck

Max Beckmann Self Portrait

José Bedia

Beeple Blockchain issues

Steve Bell:

John Bellany

John Bellany Self portrait

Hans Bellmer

Neil Beloufa

Jordan Belson Mythic worlds

Bertin Organising information

Walead Beshty

Tom Betts

Joseph Beuys

Joseph Beuys The shamanic tradition

Joseph Beuys Material thinking

Joseph Beuys Performance

Joseph Beuys Conference

Joseph Beuys diagrams

Tony Bevan 

Thomas Bewick

Huma Bhabha

Sutapa Biswas

Andy Black

Karla Black 

Elizabeth Blackadder

Emery Blagdon: Energy traps

William Blake: Damien Hirst's Demon's head and 'Ghost of a flea'.

Irma Blank

Heiko Blankenstein

Pierrette Bloch

BLU

Christian Boltansky  Shadow drawing

Christian Boltanski: Documentation

David Bomberg

Alan Bond

Bonnard Self portrait

Raymond Booth Drawing plants

Gutzon Borglum Climbing and monumental sculpture

Botticelli

Fréderic Bruly Bouabré

Louise Bourgeois

Louise Bourgeois Drawing feet

Martin Boyce

Sonia Boyce

Mark Bradford

Georges Braque

Alexander Brodsky and Ilya Utkin

Alexander Brodsky & Ilya Utkin’s Paper Architecture

Alan Brookes

Alan Brookes Drawings of artists 

Stanley Brouwn 

Stanley Brouwn Measurement

Cecily Brown Shipwreck drawings 

Daniel Brown Computer animation

Glenn Brown Drawing from old masters

Glenn Brown: From parody to pastiche


Katrina Brown Performance drawing

Trisha Brown Performance drawing

Pieter Bruegel the Elder - The Tower of Babel

Peter Bruegel the Elder Narrative drawing

Berlinde de Bruyckere Flesh

Anna Bulkina

Richard Bunkall Charcoal drawing

Chila Kumari Burman

Alberto Burri

Paul Butler

Grisha Bruskin

John Cage

Jacques Callot

Caravaggio

Caravaggio The Incredulity of St Thomas

Ryan Carrington

Anthony Caro

Maurizio Cattelan

Jimmy Cauty Model city in a trailer

Vija Celmins Mimesis

Vija CelminsEraser

Vija Celmins Still life

Paul Cezanne 

Paul Cezanne Petit sensations

Paul Cezanne The hard won image

Paul Cezanne: That uncertain certainty 

Helen Chadwick Documentation of the kitchen

Chagall

Chagall Stained glass

Ian Chamberlain

Nidhal Chamekh

Chapman Brothers Exquisite Corpse images

Gordon Cheung Collage

Gordon Cheung  The narrative tradition

Paul Chiappes

Judy Chicago Banners

Wendy Chien Knots

Mel Chin

Christo Drawing as plans for future ideas

Christo Drawing for site specific proposals 2

Ann Christopher Layered and cut papers  Using fixings

Tiffany Chung Mapping

Tiffany Chung Process

Ciprianii: ‘Rudiments of Drawing: ears

Chuck Close

Sue Coe Drawing and politics

Harold Cohen Early computer generated art

Janet Cohen

Nathan Coley Making models

Nathan Coley Drawing as Evidence 

Georges Condo

George Condo From parody to pastiche 

David Connearn Drawing as a trace of its own making

Constable cloud studies

Arcangel Constantini

Christopher Cook 

Kevin Cosgrove Drawing from photographs

Cotman

Keith Coventry Mimesis

Keith Coventry: East Street Estate 1994 

Alexander Cozens: Ink blot images

Michael Craig-Martin 

Denis Creffield

Dragana Crnjak

Mike Croft The observation of perception Mike Croft ToOP part 2

Cruikshank 'The Worship of Bacchus'

Robert Crumb

Phoebe Cummings

Betsy Dadd

Dali The continuing influence of Surrealism

Dali: Christmas Cards

Adam Dant Detailed narratives

Adam Dant Large, detailed narrative drawings

Hanne Darboven Subjective mathematics

Hanne Darboven Documentation

Gerald Davies 

Alex Daw Collage

Tacita Dean Drawing and cinema

Tacita Dean

Degas

Degas Monoprint

Wim Delvoye 

Thomas Demand Making models of the world

Caroline Denervaud Performing drawing

Agnes Denes

Alyssa Dennis

Louise Despont 

herman de vries Process and documentation

Daniel Martin Diaz Pop, expressionist, surrealism

Daniel Martin Diaz Between art, geometry, emotion and science

Richard Diebenkorn

Richard Diebenkorn Sketchbooks

Jim Dine Drawing on transparent drafting film

Jim Dine Tone and emotional value

Disney

Otto Dix

Dobell William Portraits

Van Doesberg

Neil Doloricon Socialist print

Donachie Kaye Portraits

Kate Downie Large scale outdoor drawing

Peter Dreher Still life

Dubuffet

Marcel Duchamp 'Nude Descending a staircase' 

Marcel Duchamp The Large Glass

Robert Dukes

Marlene Dumas

Albrecht Durer: Melancholia

Albrecht Durer: Gridded Heads 

Albrecht Durer: Triumphal arch.

Albrecth Durer Drawing plants

Aganetha Dyck Working with bees

Marcel Dzama Magicians of the Earth

Marcel Dzama Ballet

Tony Earnshaw

Roy Eastland. Silverpoint grounds 

Jane Eaton

David Edgar The void

Hakuin Ekaku Zen Art

Olafur Eliasson: Spirals

Olafur Eliasson: Ice Watch

Nicola Ellis Lines in space

Tracy Emin Critique

Tracy Emin and Munch

Simon English

Ensor

Max Ernst

Max Ernst Collage

Max Ernst Frottage

Max Ernst The continuing influence of Surrealism

Nick Ervinck: 3D printed sculptures.

Escher

Cécile B Evans AMOS’ WORLD

Van Eyck

Erica Eyres

Jan Fabre

Muqi Fachang

Anastasia Faiella Performance drawing

Nadine Faraj 

Geoffrey Farmer Collage

Harun Farocki

Brian Fay

FAT

Tatyana Fazlalizadeh

Liao Fei

Hans-Peter Feldmann Shadow play

Han Feng

Fernández Ana Teresa 

Jackie Ferrara


Hugh Ferris Drawing the city

Christoph Fink

Graham Fink Eye tracking technology

Oskar Fischinger Vision and sound

Peter Fischli and David Weiss The way things go 

Moyna Flannigan

Jacky Fleming

Ceal Floyer Humour 

Lucio Fontana

Patrick Ford 

Patrick S. Ford: A Dialogue with the Landscape.


Henri Foucault

Natalie Frank

Helen Frankenthaler

Lucien Freud

Jack Fried Animation

Tom Friedman

Michaela Fruhwirth

Helen Frankenthaler

Terry Frost

Adam Fuss Photogram

Ann Gale

Ann Gale: The hard won image

Ellen Gallagher

Nikolaus Gansterer

Nikolaus Gansterer Between art, geometry, emotion and science

Mekhitar Garabedian Drawing and text

Gaudi

Ilka Gedő

Gego

Ceca Georgieva

John Gerrard

Giacometti

Giacometti: The hard won image

Giacometti Portrait bust

Jill Gibbon: The documentation of war finance

Jill Gibbon Drawing and politics

Gilbert and George

Giles

Stephen Gill

Elizabeth Glaessner: Batik Drawing

Karolina Glusiec Animation

Hanna von Goeler

Van Gogh Use of oak gall ink

Andy Goldsworthy: Snowball drawing

Andy Goldsworthy: Drawing with the world

Hendrick Goltzius

Douglas Gordon

Douglas Gordon: Monster

György Gordon

Kim Gordon

Anthony Gormley 

Goya

Toni Grand

Ginny Grayson The hard won image

Ginny Grayson Drawing and time

Lois Green

Kate Groobey Drawing as a performance




Lucy Gunning Climbing as drawing

Cai Guo-Qiang Gunpowder drawings

Philip Guston Influence of underground comics

Philip Guston Alien phenomenology

Philip Guston Xmas card

Hans Haacke

Patrick Hall

Samia Halaby

Petrit Halilaj

Peter Halley

Ilana Halperin

Alex Hamilton

Richard Hamilton: Transition IIII 1954

Kate Hammersley 

Frederick Hammersley Early computer generated art

Frederick Hammersley: early computer art



Terry Hammill 'Klocks' Drawing time

David Hammons Self portrait

Martin Handford: Where's Wally? 

Marcelle Hanselaar

Mark Hansen and Ben Rubin Listening post

Michael Hansmeyer

Heather Hanson Performance line drawing

Nancy Haslam-Chance Care drawings

Gwen Hardie

Ann Hardy Drawing and model making

Keith Haring

Keith Haring Sexual politics

Clifford Harper

Alex Hartley

Deborah Harty

Mona Hatoum

Mona Hatoum The grid as a cage or trap

Nathan Hawkes: on seeing a plant in a garden

Tim Hawkinson

Clive Head

Tim Head

Claude Heath Drawing and touch 

Claude Heath uncertain certainty

Barbara Hepworth

Barbara Hepworth Drawing hands

Nicholas Herbert: Landscape drawing

Cornelia Hesse-Honegger: Mutant insects

Clive Hicks-Jenkins

Sheila Hicks Knots

John Hilliard

Roger Hilton

Fiona Hingston

Sonja Hinrichsen Snow drawing

Joyce Hinterding

Kim Hiorthøy

Thomas Hirschhorn

Thomas Hirschhorn Social sculpture


Szu-Han Ho Device for Hugging, COVID19

David Hockney ‘Accident Caused by a Flaw in the Canvas’

David Hockney Drawing in colour 

David Hockney Opera

David Hockney Paper pools 

David Hockney Drawing water

David Hockney: Retrospective

Howard Hodgkin

Hans Hofmann

Hans Hoffman The search for the real

William Hogarth 'The Analysis of Beauty'

Hokusai How to draw images

Hokusai Quick Lessons in Simplified Drawings

Hokusai: The Great Picture Book of Everything'. 

Curtis Holder Portraits

Holbein 'The Ambassadors'

Phil Hopkins 

Edward Hopper Sketchbooks

Edward Hopper The preparatory sketch 

Tehching Hsieh Process and documentation

Victor Hugo Ink blot drawing

Hundertwasser:

Kabir Hussain 

Juliana Huxtable

Manabu Ikeda

Bjarke Ingels

Ahmet Doğu İpek Drawing the city

Hanabusa Itcho Flesh exhibition

Andrzej Jackowski

Ito Jakuchu

Kerry Jameson Drawing for ceramics

Adam Janes

Christian Jankowski

Yun-Kyung Jeong

Zhu Jinshi 

Gwen John Self portrait Gwen John Pallant House exhibition 

Gwen John Sensibility

Chris Johansen

Jasper Johns

Jasper Johns Graphite use

Jasper Johns: Drawing on transparent drafting film

Jasper Johns: An old man drawing


Jasper Johns at the Royal Academy 

Jasper Johns Illusion

Jasper Johns: Fool's House



Sarah Anne Johnson Model houses

Joan Jonas: Performance drawing


Kim Jones Mudman

Asger Jorn 

Tam Joseph

Birgit Jürgenssen

Hiwa K 

Stanislav Kalibal

Kandinsky From point and line to plane

Rub Kandy Illusion

Alex Kanevsky

Anish Kapoor Opera

KAWS Disney and the aesthetics of babies

Mary Kelly

Mike Kelly

Sharon Kelly

Michael Kenny

William Kentridge In Venice

William Kentridge Triumph and Lament

William Kentridge In Berlin

William Kentridge in Manchester 

Zsófia Keresztes Mosaic

Justinus Kerner: Ink blot drawings

Mark Khaisman

Heraa Khan

Maria Khan

Ian Kiaer 

Natasha Kidd 

Ken Kiff Drawing in colour

Ken Kiff Printmaking

Christine Sun Kim

Martin Kippenberger

Olga Kitt A drawing from a Hans Hoffman life class

Paul Klee Pedagogical sketchbook

Paul Klee Notebooks

Paul Klee Self portrait

Gustav Klimt On seeing a plant in a garden

Franz Kline

Franz Kline Self portrait

Hilma af Klint: Notebook Diagrams

Rachel Kneebone

Julije Knifer

Tim Knowles

Tim Knowles GPS drawings

Aaron Koblin 

Käthe Kollwitz Self Portrait

Kolmar and Melamid 'Most wanted and Least wanted Paintings'

Tomoko Konoike

Leon Kossoff

Victor Koulbak

Christiane Kowalewsky Collage

Klara Kristalova Drawing and ceramics

Sun K. Kwak

Suzanne Lacy 

Paul Laffoley

Jim Lambie Drawing with tape

Sir Edwin Landseer 

Michael Landy

Michael Landy Drawing plants

Peter Lanyon: Gliding painting The Thermal Stair by WS Graham

Peter Lanyon Looking

Des Lawrence Silverpoint

Gary Lawrence Large, detailed narrative drawing

Desmond Lazaro

Louise Lawler Art world reflections

Louise Lawler Oxford exhibition 

Charles Le Brun

Mark Leckey

Leeds United

Leonardo Perspective

Leonardo: Drawings of flowing water

Leonardo drawings in Leeds

Katie Lewis Time and durational drawing

Mark Lewis Torn paper collage

Sol Lewitt Drawing in architectural spaces

Sol Lewitt: ‘Schematic Drawing for Muybridge’

Sol Lewitt Drawing as idea and process

Daniel Libeskind

Roy Lichtenstein

Roy Lichtenstein Humour

Glen Ligon

Laurie Lipton

Anne Lindberg Thread Drawings

Simon Linke

Pia Linz:

Edward Lipski Flesh exhibition

El Lissitzky

Andrew Lister

Hew Locke 3D collage

Hew Locke Drawing with personal materials

Mark Lombardi  Data diagrams and mapping connections

Mark Lombardi Drawing as information mapping and data visualisation

Richard Long Walking drawing

Robert Longo

Robert Longo Drawing and cinema

Marie Lorenz: rubbings

Rafael Lozano-Hemmer

Len Lye

Cynthia Lin

Kate Lyddon

Michael Lyons  Sculptor's drawings

Sipho Mabona Large scale paper folding

Tala Madani Sketchbooks

Tala Madani The smiley face

Nalini Malani


Shehzil Malik

Manaku

Mark Manders

Robert Mangold

Pia Männikkö

Abu-Bakarr Mansaray 

Christian Marclay


Walter de Maria 'Lightening Field' 

Safo Marko Lino Print

Kerry James Marshall

Agnus Martin

Frans Masereel Expressionist print

Jivya Soma Mashe

Massacio Rendering light

Masson

Matisse Abstraction

Matta-Clark Gordon 

Dóra Maurer Process

Chad McCail

Anthony McCall

Anthony McCall Drawing with light

Paul McCarthy: Snow White

Allan McCollum

Leonard McComb

Adam McEwen

Barry McGee

Dominic McGill 

Richard McGuire ‘Here’ Depictions of time and place

France-Lise McGurn

Ian Mckeever

Suds McKenn

Jordan Mckenzie Performance drawing

David McLeod 3D computer animation

Emma McNally Mapping data

Juanita McNeely Early Feminist art practice

Jonny Meah

Julie Mehretu 

Alex Menocal  Tape drawings

Maurice Merlin Expressionist prints

James Merry Synesthesia

Messerschmidt Facial expressions

Henri Michaux

Michelangelo Crucifixion 

Michelangelo Drawing: The physical as a bridge to the metaphysical  

Michelangelo: Uncertain certainty

Michelangelo and Bill Viola


John Midgley Banner art

Miso pricked paper drawings

Marion Möller Tracings

Vera Molnar

Jonathan Monaghan Computer animation

Mondrian 

Mike Moor Printmaking

Henry Moore

Henry Moore Sketchbooks

Morandi

Francois Morellet 

Robert Morris Blind Time Drawings

Robert Morris: Box with the sound of its own making

Norval Morrisseau

John Muafangejo Lino Print

Ron Mueck Scale

Munch

Vik Muniz

Portia Munson

Myles Murphy

Wangechi Mutu

Muybridge

David Nash

David Nash Charcoal and sustainability 

Martin Naylor

Bruce Nauman: Exhibition plan

Bruce Nauman Neon

Paul Neagu 




Senga Nengudi Drawing and dance

Avis Newman Line as primitive narrative


Lee Newman Portraits

Victor Newsome The technical contour line

NeSpoon Street repair

Kimon Nicolaïdes

Raúl de Nieves Stained glass

Aakash Nihalani

Hermann Nitsch The language of blood

Lori Nix and Kathleen Gerber Models of reality

Otobong Nkanga

Charles Nkosi

Paul Noble world creation

Paul Noble: cavalier projection

Tim Noble and Sue Webster

Martin Noël 

Nolde

Jockum Nordström

Michelle Possum Nungurrayi 

Trevor and Ryan Oakes Measuring perception

Hughie O’Donoghue

Toyin Ojih Odutola Response to black stereotyping 

Rick Ogniz 

Oluseyi Ogunjobi

Sharyn O’Mara

Patrick Oliver

Oldenburg 

Oldenburg: Technical drawing

Oldenburg Monumental structures

Roman Ondak

Renato Orara

Damián Ortega

Chris Orr

Tony Orrico

Lucy Orta

Kiera O'Toole

Jonathan Owen

Roy Oxlade, Rose Wylie and raw image making

Jane Morris Pack: Monoprint

Hardeep Pandhal

Hardeep Pandhal Humour

Gary Panter

Cornelia Parker Mythic conceptualism

Cornelia Parker

Cornelia Parker At the Whitworth Gallery

Cornelia Parker: Mass

Cornelia Parker Pornographic Drawings

Joseph Parra

Victor Pasmore

Simon Patterson: The Great Bear tube map

Celia Paul

Celia Paul Portraits

Dave Peel using gifs

Joyce Pensato

Jean Perdrizet: speculative engineering

Grayson Perry

Mick Peter

Deanna Petherbridge

Deanna Petherbridge and drawing matter

Deanna Petherbridge: Exhibition

Raymond Pettibon

Raymond Pettibon: drawing installation

Elizabeth Peyton

Wesner Philidor

Joel Daniel Phillips 

Tom Phillips

Picasso

Picasso Linear drawing in metal Picasso and Calder drawing in wire

Picasso Prints

Picasso Sketchbooks

Picasso: Drawing after Velazquez

Patricia Piccinini The continuing influence of Surrealism

Cathie Pilkington Using Mokulito lithography techniques 

Kathy Prendergast

Prieto (An artist similar to martin Creed)

Carl Plackman

Luboš Plný

Luboš Plný Between art, geometry, emotion and science

Nik Pollard

Pontormo Visitation

Alina Popa: Disease as an Aesthetic Project

Emily Prince Documentation

John Pule Narrative images

Gracie Morton Pwerle: Australian Aboriginal artist

Sohan Qadri

Sohan Qadri Drawing and mindfulness

Christina Quarles. Drawing Christina Quarles At the Tate

Imran Qureshi

Michael Raedecker The stitched line

Ken Ragsdale Making models to work from

Arnulf Rainer

Andrew Raftery

Rajasthan Tantric paintings

Bernardino Rakos Tape drawings

Michael Rakowitz

Peter Randall-Page

Matthew Rangel  Annotated landscape maps

Matthew Rangel Diagrams and drawing

Rauschenberg: Solvent transfer drawings. 

Rauschenberg: Dante’s Inferno





Redon

Nadine Redlich Drawing time

Patricia Reed Diagrams

Ligorano Reese

Paula Rego

Paula Rego Dancing ostriches 

Ad Reinhardt

Rembrandt Tone and emotional value

Rembrandt Drawing elephants

Carol Rhodes 

Shani Rhys James:

Frances Richardson

Frances Richardson: Still life

Lucienne Rickard: Extinction studies erased drawings of animals

Mark Riddington

Bridget Riley

Bridget Riley The distorted grid

Klaus Rinke 

Diego Rivera,

Fiona Robinson

Dorothea Rockburne, Folding

Dorothea Rockburne Between art, geometry, emotion and science

Rodin: watercolour and pencil images

Till Roeskens

Martin Rogers 

Jen Roper

Alex Rose Collage

Dieter Roth

Dieter Roth Sketchbooks

Georges Rousse Optical illusions

Mathilde Roussel

Brie Ruals Drawing with clay

Nancy Rubins

John Ruskin

Walter Russell Diagrams

Sophie Ryder Mosaic

Ursula von Rydingsvard

Robert Ryman Drawing as idea and process

John Sabraw: Pigment making

Doris Salcedo

Charlotte Saloman

Lesley Sanderson

Michael Sandle

Judith Schaechter Stained glass

Egon Schiele

Aurel Schmidt 

Erhard Schön

Andrew Schoultz

Thomas Schütte

Susan Schwalb Silverpoint

Kurt Schwitters

Kurt Schwitters Collage

John Selway

Andres Serrano

Tony Sequence

Seurat

Seurat Drawing the hand of Poussin

Twin Seven Seven

Ben Shahn

Dan Shaw Town

Kanjuro Shibata Drawing the void

Chiharu Shiota  Thread installation

Chiharu Shiota Entanglements

Loriann Signori

Amy Sillman

Silvia Simões

Avery Singer 

Avery Singer: Technical drawing

Slinkachu Miniature installations 

Cauleen Smith

David Smith

Joshua Smith Miniatures

Keir Smith

Kiki Smith Drawing feet

Robert Smithson Spiral jetty

Paolo Soleri: Diagrams from Arcology

Mounira al Solh

Louis Soutter

Stanley Spenser Sandham Memorial Chapel

Nancy Spero

Léon Spilliaert

Ken Sprague Socialist print

Molly Springfield

Frances Stark Collage

Simon Starling

Rudolf Steiner Diagrams

Stelarc

John Stell

John Stezaker Collage John Stezaker Splitting

Emma Stibbon 

Clifford Still

Adam Stone

Alan Storey

Liv Strömquist

Hiroshi Sugimoto Photographs of cinemas

Do Ho Suh

Graham Sutherland

Sweet Toof Graffiti

Alina Szapocznikow From drawing to sculpture 

Sarah Sze Where to access cheap scrap materials

Sarah Sze 3D Collage

Sarah Sze Exhibition

Hadi Tabatabai

Hadi Tabatabai: Process

Jiro Takamatsu Shadow and perspective

Mark Tansey

Anant Tavkar

Al Taylor

Eric Taylor

Jason deCaires Taylor Underwater sculpture

Pat Taylor Drawing and weaving

Wayne Thiebaud: Drawing in colour

Harry Thubron Leeds and basic visual language

Sara Thustra

Tintoretto

Barthélémy Toguo

Hasegawa Tōhaku

Tom of Finland

Katie Torn Computer animation

Julie Tremblay

Anne Truitt

Cy Twomby

Cy Twombly Drawing with words

Uccello

Lee Ufan

Euan Uglow Drawing feet

Johanna Unzueta 

Leon Varga

Felice Varini Optical illusions

Andrew Vass

Ral Veroni Using paper money as a background support for images 


John Virtue

Jorinde Voigt Drawing as abstraction and notation

Willem Volkersz

Kurt Vonnegut Self portrait

herman de vries Documentation

Camilla Vuorenmaa

Barbara Walker: Charcoal wall drawings of people

Barbara Walker Exhibition


Kara Walker The vignette

Kara Walker Artist's research

Alfred Wallis

Henry Wallis

James Ward

Chris WareOblique projection 

Andy Warhol: Gold inkblot painting

Andy Warhol: Film portrait 



Watteau The flute player and time

Watteau Drawing in colour

Watteau Drawing hands

Heike Weber

William Wegman

Gal Weinstein

Debra Weisberg

Garth Weiser Using a grid as an underlying structure

Ai Weiwei








Krzysztof Wodiczko Drawing for site-specific proposals 




John Wolseley Documentation

Beatrice Wood: Drawing for ceramics


Jeremy Wood GPS drawings

John Wood and Paul Harrison

Austin Wright: Emerging Forms




Amelie von Wulffen Anthropomorphic fruits


Fu Xiaotong Pricked paper drawings

Zheng Yefu Expressionist prints

Jonathan Yeo Flesh exhibition






Climate change and sustainability

Sustainability resources 










Computer aided drawing


Colour


Collaboration


Collage


Drawing: Practical support: Thinking and doing help and advice
The Drawing Paper A drawing publication
Drawology Catalogue
Writing about drawing How to say what you mean
The Secret of Drawing Links to videos on drawing

Drawing prizes

The Jerwood

More on the Jerwood

A response to Alison Carlier's sound piece 'Adjectives, lines and marks' 

The Trinity Buoy Wharf Drawing Prize


SKETCH2017

Contemporary artists' drawing exhibition 

Drawing and Sound

Eye Music

Drawing sound

Three dimensional sound documentation 

Illusion

Illusion Optical illusions
Illusion Point of view

The Grid

Weaving and the grid

The distorted grid

Drawing lines in space

The grid as a cave or trap

Process and its documentation

Natasha Kidd and working with paint

Portrait as witness and control The use of grids in portrait measurement

Visual Narrative

Narrative and allegory


The formal languages of drawing 

Nancy and drawing The need for an essence 

Life Drawing

Life Drawing Reasons for doing it

Light


Mapping and diagramming 

Mapping as translation Visual languages 
Acupuncture diagrams

Material thinking

Charcoal

Drawing and ceramics

Drawing as the trace of a touch



Drawing with alternative materials





Imprints and traces

Object Orientated Ontology and Drawing


Grounds to use when preparing paper

Paper as a drawing material

Paper and skin

Paper edges

Languages of paper and cardboard

Paper folding and the songs of trees

Research into paper

Drawing or or with paper

Paper Sizes

Paper ideas types, hardness and surfaces

About paper, about mobile phone screens and fingertips

Rubbings

Pencils and erasers 

Swell Paper tactile image process

Material thinking as a conceptual process

Material thinking

Drawing using tape

Drawing with tape 2

Mosaic

Drawing using wax resist 

Drawing and the archaeologist's dig

The ballpoint pen

Pen and ink

Oak gall ink 

Graphite

Silverpoint and metalpoint

Wax crayons and oil pastels

Dry crayons and coloured pencils 

Drawing in wire and iron rod

Drawing using clay

Drawing in Neon


Drawing and printmaking

Printmaking: Monoprints and Lithographs

The macro and the micro How surfaces change as you get closer or further away

Why does ink stick to paper?

Drawing as entanglements of life

Stains and blots: blood, sweat, and tears


Ilana Halperin: ‘Minerals of New York’





Mathematics

The Bézier Curve

Mimesis 

Mimesis Benjamin and Aesthetics

Mimicry and illusion Ur-history and commodity fetishism 

Resemblance, mimesis and communication







Narrative

Performance

Joan Jonas: Performance drawing

Photography and film: Interrelationships between drawing and photographic disciplines


Politics


Presentation, hanging and framing

The smiley face The power of a badge

Reports on conferences


The observation of perception Posts related to research into Interoception

Theory What sort to use

More theories about drawing

Drawing and philosophy  Part 1

Drawing and Philosophy part 2


Drawing and philosophy part 3 Object orientated ontology









Roy Ascott TECHNOETIC AESTHETICS

Roland Barthes


Besant and Leadbeater Thought forms

Benjamin Brett and Geometrical Psychology

Derrida: Between the sign and the trace

Derrida: ‘the parergon’ 

John Dewey: Art as Experience

Foucault Resemblance 

Freud

Steven Jay Gould A biological homage to Micky Mouse

Heidegger on the significance of drawing



Tim Ingold On not knowing and paying attention

Tim Ingold Keynote Speech for the Art, Materiality and Representation Conference



Johnson & Lakoff Embodied thinking

Laban Notation

Lacan and drawing as an external self

John Ruskin

Michael Taussig

D’Arcy Thompson: ‘On Growth and Form’







Dr Sherylle Calder. 'Vision specialist'. 

Time and Drawing

Holding time in action

Portraits and time

More thoughts on Drawing time

The continuing need for a religious experience

Drawing and spirituality

Metastoicheiosis Micheal Paraskos argument

Dante's Inferno

Michael Kenny drawings for Easter










The Venice Biennale 

Reviews of biennale artists that are working with drawing or drawing centred ideas


2015 Part 1Sohan Qadri, Zhang Yu,
2015 Part 2Abu-Bakarr Mansaray, Qiu Zhijie,
2015 Part 3, Tiffany Chung, Maja Bajevic,
2015 Part 4, Nidhal Chamekh, William Kentridge, 


2017 Part 1, Erwin Wurm,

2017 Part 2 Relational Practices; Anna Halprin, The Crossroads project,The Play, Shimabuku, 

2017 Part 3 Artist as visionary; Rachael Rose, Grisha Bruskin, Miķelis Fišers, Luboš Plný, Kiki Smith, Kananginak Pootoogook,

2017 Part 4 Continuing traditions; Dan Miller, Sopheap Pich, Maria Lai, Achraf Touloub, Huguette Caland, Wang Tianwen, Wu Jian’an and  Tang Nanan, Qiu Zhijie, Nevin Aladağ,


2019 Part 1 Christian Marclay, Ed Atkins, Suki Seokyeong Kang, Gabriel Rico, Cameron Jamie, 
2019 Part 2 Gauri GillShakuntala Kulkarni, Tavares Strachan, Halil Altindere, Michael Armitage, Frida Orupabo. Kemang Wa Lehulere, Ian Cheng, 
2019 Part 3 Shilpa Gupta, Tinguely, Sun Yuan and Peng Yu, Zhanna Kadyrova, Njideka Akunyili Crosby, Kaari Upson, 
2019 Part 4 Renate Bertlmann, Christoph Büchel, the 'Brookes' slave ship,
2019 Part 5 The Frame and the Banner: Venice 2019 a coda Jill Mulleady, Mari Katayama, Martine Gutierrez, Ricardo Garcia, Ane Graff

2022 Part 1  Belkis Ayón, Britta Marakatt-Labba, 
2022 Part 2 Candice Lin
2022 Part 3 Francis Alÿs,
2022 Part 4 Felipe Baeza, Violeta Parra, Ilit Azoulay,
2022 Part 5 Roger Ballen, 

Entanglement and the world of interconnected events not individual things

The Wyrd

Patternings, ties, entanglements and knots



The problem with mountains and words




End of index as one idea, but it is also, defined as:

Index: An indicator or measure of something. In finance, it typically refers to a statistical measure of change in a securities market. In the case of financial markets, stock and bond market indexes consist of a hypothetical portfolio of securities representing a particular market or a segment of it.

Index: Something that shows how strong or common a condition or feeling is.

The finger next to your thumb

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