It's strange how you miss out on certain artists, especially ones that have been making wonderful images for years and that have been shown regularly. Marcelle Hanselaar is one of those artists I have somehow missed and shouldn't have. She has long been making consistently powerful images and at times they are almost too visceral to look at. She unflinchingly takes on the horrors perpetuated by a patriarchal society, her metaphors sting, but help to clean out the stalls at the same time. She is still working and showing and if you get a chance to see her work in the flesh, go and see it, it is etched into being both metaphorically and literally.
Now that Paula Rego has died perhaps we will see more of Marcelle Hanselaar, a Dutch artist living in London rather than a Portuguese one. Like Rego, Hanselaar can tap into mythic layers of that strange thing that we call life. Rego has for many years occupied the territory so well, that for one reason or another other similar artists have been overshadowed. I will be posting a tribute to Rego and her work in the near future, and was reminded how good she was both by visiting her exhibition at Victoria Miro last year and seeing her contribution to this year's Venice Biennale.
I'll leave you therefore with an image of Rego's work from Venice. A timely reminder of how good she was. I believe that the gravitas of her imagery was partly due to the making of models to work from. The strangeness of reality can be translated much more powerfully if you have something about your work that grounds it in that very reality that you find strange. Like Paula Rego, Marcelle Hanselaar has that ability and now that I have discovered her work I shall make sure I keep a look out for it in future.
See also:
Recent paintings at Aleph Contemporary
https://marcellehanselaar.com/
No comments:
Post a Comment