Francis Alÿs had a wonderful exhibition in the Belgian pavilion; 'The Nature of the Game', featuring a group of short films as well as a selection of paintings.
Since 1999 Alÿs has documented children at play in public spaces across the globe. Filmed between 2017 and 2022 in Hong Kong, the Democratic Republic of Congo, Belgium, and Mexico, among others, Alÿs presents us with a life affirming set of video projections that highlight the central role of play in all our lives.
He follows children at play with a camera and as he does so we are brought into the various worlds that have been developed by children as they invent their way through life. Many of these games involve the re-appropriation of objects; plastic bottles become the objects of kicking games, a large tyre becomes an exciting means of rolling downhill, sticks become guns within a game about territory and cracks become something to avoid in a stepping stone game. The invention we associate with art is seen to be something that is natural to all human beings.
Although this was a video dominated exhibition, I have always thought of Alÿs as an artist who thinks through drawing and this exhibition in many ways confirmed this. Alongside the exhibition was a publication devoted to his notebook thinking. As soon as I began to look through this I realised that it was a perfect illustration of an artist thinking out loud. His pages of tiny images interlaced with text revealing ideas being first of all seen out in the world and then developed as artworks.
See also:
http://francisalys.com/childrens-game-1-caracoles/
The Nightwatch (A link to a post that is about animals as well as an Alÿs video)
Walking and drawing (Thoughts about The Green Line)
Using sketchbooks to think with
Venice Biennale 2022: review part one
Venice Biennale 2022: Review Part two
Venice Biennale 2022: Review Part four
Venice Biennale 2022: Review Part five
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